round, wooden mask, divided horizontally in the C, with the suggestions of the face of a figure in the C; geometric sections divided by linear ridges, with white pigment in bottom and top sections; two outlined squares with white pigments in ULQ and URQ; holes around outer perimeter of mask; headpiece on backside, with fiber strap that is broken installed at sides of headpiece; eye hook installed at top of headpiece

Mask, c. 1900

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Wood, pigmentexpand_more

Gift of Joan and Gary Capenexpand_more  2021.76

Not on Viewexpand_more

When the first masks of the Congolese Teke-Tsaayi peoples arrived in Europe in the early 1900s, their geometric designs appealed greatly to artists and collectors. Yet Europeans only saw and admired the formal properties, whereas for the Teke-Tsaayi themselves the masks were repositories of coded historic knowledge. The lines and shapes appear to form a language, whose signs refer to clan animals, celestial bodies, human body parts, and roads and crossroads. During a masquerade the dancer performed a cartwheel, which, for a very brief moment, would alter the disposition of the signs, and thus the “reading” of the mask.

Details
Title
Mask
Role
Artist
Accession Number
2021.76
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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round, wooden mask, divided horizontally in the C, with the suggestions of the face of a figure in the C; geometric sections divided by linear ridges, with white pigment in bottom and top sections; two outlined squares with white pigments in ULQ and URQ; holes around outer perimeter of mask; headpiece on backside, with fiber strap that is broken installed at sides of headpiece; eye hook installed at top of headpiece