Two plate intaglio. One plate created with spit-bite printed à la poupée on natural Kaga gampi chine collé in green, gray, and tan inks on bright white Hahnemühle paper. The second plate was created with drypoint and burnshing and printed in black ink.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions

days: III, 2021

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Born and raised close to nature in Washington state, Jim Hodges frequently explores themes of transience, fragility, and abstraction using the natural world as a starting point. His expansive practice emphasizes materials and process, experimental and traditional alike, bringing to the fore concepts that evoke fundamental human experiences and emotions. A common thread is a poetic consideration of life’s many mysteries, including birth, death, love, and the inevitability of change. In the “days” suite of intaglio prints, Hodges uses highly abstracted elements of nature or landscape to capture an ephemeral moment in the constant passage of time.

Details
Title
days: III
Artist Life
born 1957
Role
Artist
Accession Number
2021.105.2.3
Provenance
Highpoint Editions, Minneapolis (publisher); sold to MIA, 2021.
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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Two plate intaglio. One plate created with spit-bite printed à la poupée on natural Kaga gampi chine collé in green, gray, and tan inks on bright white Hahnemühle paper. The second plate was created with drypoint and burnshing and printed in black ink.

Copyright © Jim Hodges, published by Highpoint Editions