Landscape in the Taunus (Landschaft im Taunus) (recto) and Signs of the Times V: Into Dust with All Enemies (Symbole der Zeit V: In Staub mit allen Feinden) (verso), page from "Der Bildermann", folio 13, vol. 1, no. 6, June 1916
Lithographsexpand_more
Gift of Robert Bulger in honor of Elizabeth and Madelyn Brunnerexpand_more 2018.129.4
Not on Viewexpand_more
In 1916, publisher Paul Cassirer started a new periodical, "Der Bildermann" [The Picture Man], "to bring a broad public directly in touch with art." It featured original lithographs that sought to offer beauty as a form of relief from the grinding brutality of World War I. Leo Kestenberg, a pianist and pacifist, ran the journal while Cassirer served in the army. Max Slevogt designed the vignette on the masthead, which shows a man peddling broadsheets to eager soldiers and civilians of all ages and stations. "Der Bildermann" embraced the art of impressionists (such as Max Slevogt), expressionists (Erich Heckel and Ernst Ludwig Kirchner), and naturalists (August Gaul). Dwindling subscriptions, increasing difficulties with censors and the bureaucracy, led to "Der Bildermann’s" demise after only eighteen issues.
Details
- Title
- Landscape in the Taunus (Landschaft im Taunus) (recto) and Signs of the Times V: Into Dust with All Enemies (Symbole der Zeit V: In Staub mit allen Feinden) (verso), page from "Der Bildermann", folio 13, vol. 1, no. 6
- Artist Life
- 1880–1938
- Role
- Artist
- Accession Number
- 2018.129.4
- Provenance
- (Dorotheum, Vienna, Austria, sold to Bulger); Robert Bulger, Boston, Mass.; given to MIA, 2018.
- Curator Approved
This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
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