page with prints on two sides--winter landscape with bare trees, church, and houses on recto; mountain goats and text on verso

Near Ghent (Bei Gent) (recto) and Mountain Goats (Bergziegen) (verso), page from "Der Bildermann", November 1916

Not on Viewexpand_more

In 1916, publisher Paul Cassirer started a new periodical, "Der Bildermann" [The Picture Man], "to bring a broad public directly in touch with art." It featured original lithographs that sought to offer beauty as a form of relief from the grinding brutality of World War I. Leo Kestenberg, a pianist and pacifist, ran the journal while Cassirer served in the army. Max Slevogt designed the vignette on the masthead, which shows a man peddling broadsheets to eager soldiers and civilians of all ages and stations. "Der Bildermann" embraced the art of impressionists (such as Max Slevogt), expressionists (Erich Heckel and Ernst Ludwig Kirchner), and naturalists (August Gaul). Dwindling subscriptions, increasing difficulties with censors and the bureaucracy, led to "Der Bildermann’s" demise after only eighteen issues.

Details
Title
Near Ghent (Bei Gent) (recto) and Mountain Goats (Bergziegen) (verso), page from "Der Bildermann"
Artist Life
1883 - 1970
Role
Artist
Accession Number
2018.129.3
Provenance
(Dorotheum, Vienna, Austria, sold to Bulger); Robert Bulger, Boston, Mass.; given to MIA, 2018.
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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page with prints on two sides--winter landscape with bare trees, church, and houses on recto; mountain goats and text on verso