horizontal landscape painting with thick, gnarled trees and sinuous rock formations in foreground; small structure at R on cliff; grove of trees at L, with figure walking across bridge nearby, small buildings in background; rows of sparse pine trees in middle ground; mountaintops along background; inscription top edge R; mounted and framed

Solitary Journey of a Recluse, October, 1925

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遂作山中士 

道遙謝世緣 
撫松忘夕日 
坐石聽清泉 
詩妙欲無語 
琴音非有絃 
翛然得真契 
寧必問神仙
And so I have become a mountain-dwelling scholar,
Wandering freely, having renounced worldly karma.
Caressing a pine tree, I forget the westering sun,
Sitting on a rock, listen to the pure stream.
I want my poems so subtle that they lack words,
My lute playing so fine it is as if I used no strings.
Joyfully I have grasped true integration:
What need to query the spirits and immortals'

The vast majority of Kodōjin’s paintings are oriented vertically (i.e., hanging scrolls), but on rare occasions he worked in horizontal formats, including wide compositions that would have been framed. This format was inspired by the horizontal handscroll; Kodōjin mostly employed these for calligraphy works that featured the names of a room or a building and hung over doorways or under eaves. Landscape paintings in this format are unusual, and Solitary Journey of a Recluse is the largest known horizontal landscape painting by Kodōjin.

Details
Title
Solitary Journey of a Recluse
Artist Life
1865 - 1944
Role
Artist
Accession Number
2017.144.3
Catalogue Raisonne
Marks 2023, no. 36
Curator Approved

This record is from historic documentation and may not have been reviewed by a curator, so may be inaccurate or incomplete. Our records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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horizontal landscape painting with thick, gnarled trees and sinuous rock formations in foreground; small structure at R on cliff; grove of trees at L, with figure walking across bridge nearby, small buildings in background; rows of sparse pine trees in middle ground; mountaintops along background; inscription top edge R; mounted and framed