%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn
Blind Man's Buff, 1945
Max Beckmannexpand_more
Oil on canvasexpand_more
Gift of Mr. and Mrs. Donald Winstonexpand_more 55.27a-c
On View in Gallery 371expand_more
Blind Man's Buff is the most important of the five triptychs created by Max Beckmann while exiled in Holland between 1937-1947 - an exile necessitated by the Nazi's inclusion of ten of his works in their exhibition of "degenerate art" in 1937. Like much of his art, Blind Man's Buff is allusive and symbolic, inviting explication yet resisting explicit interpretation. Yet, the artist's use of the three-paneled format that was traditional to Medieval and Renaissance altarpieces evokes religious associations. Beckmann also drew upon classical sources, calling the figures at center "the gods" and the animal-headed man the "minotaur." Throughout the triptych, figures engage in sensual pleasures in a place where time, represented by a clock without XII or I, has no beginning or end. In sharp contrast on each wing are the blindfolded man and kneeling woman who, like prayerful donors in a Renaissance altarpiece, turn their backs to the confusion behind them.
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Details
- Title
- Blind Man's Buff
- Artist Life
- 1884–1950
- Role
- Artist
- Accession Number
- 55.27a-c
- Catalogue Raisonne
- Gopel, 704.
- Curator Approved
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© Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn