forest scene with trunks of tall trees in semi-darkness in greens and blues; small patches of salmon pink on some tree trunks at top center

%C2%A9 Estate of Hans Neumann

Last Rays of Sunshine, 1910

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Color woodcut on Japan paperexpand_more

Gift of Marla J. Kinneyexpand_more  2017.77.2

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This painterly print would be almost monochromatic except for the enchanting orange woodblock Hans Neumann added to the trees. The color indicates a few thin beams of sun—Neumann’s clever way of illustrating just how thick and impenetrable these woods really are. Practiced in Japanese printmaking, he chose tissue-thin paper so the lines of the bark would print crisply. His setting could be the Bavarian Forest, which was just a day trip from Neumann’s home in Munich.

As the sons of a respected German painter, Hans Neumann and his brother Ernst started out in parallel art careers. Yet Hans always felt he took a backseat to Ernst, who, under the name Ernst Neumann-Neander, went on to fame as a designer of Neander motorcycles and three-wheeled cars.

Details
Title
Last Rays of Sunshine
Artist Life
1873–1957
Role
Artist
Accession Number
2017.77.2
Provenance
Robert O. Muller, Newton, Conn. (' until d. 2003). [Chris Uhlenbeck, Leiden, The Netherlands; until 2009; sold to Scholten]; [Scholten Japanese Art, New York; 2009-2017]
Curator Approved

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forest scene with trunks of tall trees in semi-darkness in greens and blues; small patches of salmon pink on some tree trunks at top center

© Estate of Hans Neumann

Because of © restrictions, we can only show you a small image of this artwork.