%C2%A9 Estate of Murray Griffin
The Shorn Ones, 1933
Murray Griffinexpand_more
Color linocutexpand_more
Gift of Marla J. Kinneyexpand_more 2017.75
Not on Viewexpand_more
Is it a coincidence that The Shorn Ones appeared in 1933, when Australia was in the midst of the Great Depression' The wool shorn from these sheep had been an important source of income for the country, but now demand had dried up—and apparently so had the vegetation these skinny sheep feed on. Scholar Alisa Bunbury also suggested that these creatures could be biblical desert wanderers. The precision hatching shows remarkable cutting skills considering that Murray Griffin was carving and then printing from a block of linoleum. Two surviving blocks at the National Gallery of Victoria in Melbourne confirm that his linoleum was very stiff, probably a mixture of resin, linseed oil, and pulverized cork. He was one of the first artists in Australia to use this everyday material, which was less expensive than wood. For this print he would have carved six separate blocks, one for each color. The purple block with the title and monogram was added as a nod to seals applied to Japanese art.
Details
- Title
- The Shorn Ones
- Artist Life
- 1903–1992
- Role
- Artist
- Accession Number
- 2017.75
- Provenance
- Sale, Lawsons, Annandale, Sydney, Australia, October 26, 2007, no. 2003, to Lebovic; [Josef Lebovic, Sydney; 2007-2017]
- Curator Approved
This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
Does something look wrong with this image? Let us know
© Estate of Murray Griffin