Woodblock prints (nishiki-e); ink and color on paper with micaexpand_more
The M. Boyd and Carol Burton Endowmentexpand_more 2016.10a-c
Related to the play "Keisei Ōmonguchi" けいせい廓大門 (The Great Gate of the Licensed Quarter), performed at the Kado Theater, Osaka, in the 1st month of 1823 (Bunsei 6).
This unusual two-tier triptych (a set of three works meant to be shown together) depicts a scene in the play Keisei Ōmonguchi (The Great Gate of the Licensed Quarter). Instead of the typical configuration with all three sheets lined up horizontally, the third sheet is placed on top of the other two. An arrangement like this was rarely used but was ideal for plays in which the setting was a multilevel architectural space like this one. The actor on the upper floor writes a message to the two actors below by pouring ink from above. Hokushū was the most active and most important designer of Kabuki prints in Osaka in the early 1800s. He developed the specific style of actor portrait known as kamigata-e, which became characteristic for the region of Osaka and Kyoto.
This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
Does something look wrong with this image? Let us know