white panel with dowels at top and bottom; cream/white ground; abstract imagery with yellow areas and grey bar at top, with rectangles and squares; horizontal area above center with longer, looped cream colored fibers; blurry-edged blue oval shape below center, with three other blue blurry-edged forms in LLQ; grey band at bottom with three grey rectangles

%C2%A9 Ethel Stein

Spring, Rain, Wind, Sun, 2011

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Ethel Stein’s interest in color, abstraction, and geometry can be traced back to her studies in the 1930s with artist Josef Albers (1888–1976), who trained at the German Bauhaus school, where doing away with the distinction between fine and applied arts was an explicit goal. Stein began weaving in the 1960s and developed her own approach to contemporary textile expression by using a drawloom, which allows individual control of each warp thread (the threads running vertically on the loom). In this double-weave textile (weaving two complete and interconnected textiles at the same time), Stein employed two sets of warp and weft threads and included pieces of Japanese paper between the two layers of cloth.

Details
Title
Spring, Rain, Wind, Sun
Artist Life
1917 - 2018
Role
Artist
Accession Number
2015.28
Curator Approved

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white panel with dowels at top and bottom; cream/white ground; abstract imagery with yellow areas and grey bar at top, with rectangles and squares; horizontal area above center with longer, looped cream colored fibers; blurry-edged blue oval shape below center, with three other blue blurry-edged forms in LLQ; grey band at bottom with three grey rectangles

© Ethel Stein

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