seated noble male figure at bottom, looking thoughtfully towards R, with PL hand held to chin; black hat; inscription at ULQ against white, pink, and gold background

Minamoto Toshiyori, 17th century

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Before the Edo period (1603–1868), poetry writing was largely

an elite activity. The extended period of peace during this era allowed non-elites like the merchant and farmer class to enjoy leisure activities, which often trickled down from
the aristocracy. Because of their courtly origins, many of the respected classical poems were by aristocrats from the past, such as Minamoto Shunrai (1055–1129), also known
as Toshiyori. His verses circulated in the form of printed poetry anthologies. Similar to the poet portraits in One Hundred Poets, Shunrai sits alone in an empty space, accompanied by his poems above. The painter imagined him as an old wrinkled man contemplating his next composition, in contrast to the idealized portraits in One Hundred Poets. The top of this painting features two shikishi poetry cards in pink and white, adorned with a dusting of gold. His poem reads:
Many currents branch out from
a tumbling cascade of a waterfall.
Rocks stand in the midst of waves
formed by rapid flows,
which become an eternal river.

Details
Title
Minamoto Toshiyori
Role
Artist
Accession Number
2015.79.31
Catalogue Raisonne
Murase, Art through a Lifetime, no. 54
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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seated noble male figure at bottom, looking thoughtfully towards R, with PL hand held to chin; black hat; inscription at ULQ against white, pink, and gold background