metallic grey rectangle with light horizontal arcing rub-like marks/buffing overall; horizontal indented line with hook at each end impressed at bottom of rectangle; off-white paper; received in metal frame with iridescence

%C2%A9 Philip Larson

Boundary Twenty-six, 1976

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Philip Larson uses the vocabulary of architecture to inform his graphic art. Using highly simplified abstract elements, Larson focuses attention on the formal and aesthetic qualities of his subject. On first viewing, the “emptiness” of the rectangle dominates our perception, but our eye is soon drawn to what appears to be an ornamental linear detail along the bottom of the image. The detail’s form and isolation within the composition lends itself to careful consideration. Though it may appear cool and detached, the drawing emphasizes its own materiality, and on closer examination, reveals its handmade qualities. Elegant and austere, the drawing highlights subtleties of form and substance, perhaps reminding us that beauty is a state of mind.

Details
Title
Boundary Twenty-six
Artist Life
1944 - 2019
Role
Artist
Accession Number
2014.125.4
Provenance
The artist; (Glen Hanson Gallery, Minneapolis, sold to McNeil [date']); Donald McNeil & Emily Galusha, Minneapolis, until 2014; given to MIA, 2014.
Curator Approved

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metallic grey rectangle with light horizontal arcing rub-like marks/buffing overall; horizontal indented line with hook at each end impressed at bottom of rectangle; off-white paper; received in metal frame with iridescence

© Philip Larson

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