two lines of calligraphy with signature at L; brown mount

Temporary Palace at Yoshino, second half 19th century


Angular, thin, and unconventional, the brushwork here may appear unsteady and unskilled, but is in fact Murase’s carefully crafted signature writing style. He was an accomplished poet, calligrapher, and painter, and studied Chinese literature and philosophy. This poem is an example of qiyan jueju poetry, which is a quatrain of seven characters each in length with two pairs of couplets. In this poem, Murase draws upon his knowledge of Chinese history to compose a poem about the collapse of the once-mighty Tang dynasty (618-907 ce) due to Emperor Xuanzong’s obsession with Yang Guifei, his favorite concubine and one of the four great beauties of ancient China.

The Imperial carriage travels like Emperor Ming [of Tang
dynasty]’s flight to the Shu Mountains [modern Sichuan
At first, who could have known the wickedness of Anlu'
Life in the capital was like a dream waken up by the move to
the south;
He had not protected the people, but only the one with the
jade face [elegant woman].
(Trans. adapted from Stephen Addiss)

Temporary Palace at Yoshino
Artist Life
1803 - 1881
Accession Number
Curator Approved

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two lines of calligraphy with signature at L; brown mount