flat bank at lower center lined with boulders, with trees and small, open walled structure; tall, rounded mountain at UR; inscription ULQ

Landscape in the Manner of Ni Zan, second half 19th century

Not on Viewexpand_more

The title of Yamanaka Shinten’ō’s work is reflected in the empty pavilion and the distancing of the background from the foreground, characteristics associated with the work of Ni Zan, however, the playful brushwork is the artist’s own. The inscription is ambiguous; perhaps Shinten’ō is congratulating himself for retaining his own style despite his comprehensive knowledge of classical Chinese painting; perhaps it is a lament for the perceived fall of nanga into stale academicism that occurred again and again through history.

Inscription

予画本無宗傳
惟以山川為筆墨
似雲烟為渲染
幾處冩之於此
有餘師

My painting originally had no sect or doctrine, I just rely on mountains and rivers for my brush and ink, clouds and mist for tones and shadings, so wherever I go to sketch, I have many teachers.

(Transl. by Steven Addiss 1993)

Details
Title
Landscape in the Manner of Ni Zan
Artist Life
1822 - 1885
Role
Artist
Accession Number
2013.29.356
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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flat bank at lower center lined with boulders, with trees and small, open walled structure; tall, rounded mountain at UR; inscription ULQ