two horses--taller darker horse behind smaller, lighter horse--with legs behind abstract cross-hatched elements; house in middle ground at left; tall black mountains in background

Untitled (Landscape with Two Horses), c. 1930-1934

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Renowned for his “direct” stone carvings, the modernist artist John B. Flannagan was also an accomplished wood engraver. He produced this farm scene while living in Ireland in the early 1930s. Two horses—one dark, one light—stand in a paddock behind a fieldstone wall in an undulating rural landscape. Flannagan used a flattened perspective and highly compressed pictorial space to emphasize the organic, abstract qualities of his black-and-white design.

Flannagan was the leading U.S. proponent of “direct carving,” a technique in which the sculptor carves directly on the material without the use of a preparatory model or sketch. Whether carving stone or wood blocks for a print like this one, Flannagan, like other direct carvers, prized spontaneity and the idea of truth to materials, which often resulted in simple, abstract works.

Details
Title
Untitled (Landscape with Two Horses)
Artist Life
1895 - 1942
Role
Artist
Accession Number
2011.98.3
Provenance
The artist; Margherita La Centra Flannagan (artist's second wife). (Conner-Rosenkranz, New York); given to MIA, 2011.
Curator Approved

This record is from historic documentation and may not have been reviewed by a curator, so may be inaccurate or incomplete. Our records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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two horses--taller darker horse behind smaller, lighter horse--with legs behind abstract cross-hatched elements; house in middle ground at left; tall black mountains in background