The Submersion of the Pharaoh’s Army in the Red Sea, 1514-15 (printed 1549 or later)
Titian (Tiziano Vecelli); Publisher: Domenico dalle Grecheexpand_more
Woodcut from twelve blocks on twelve sheets, mounted on linenexpand_more
Gift of funds from Ruth and Bruce Dayton, Beverly N. Grossman, Alfred and Ingrid Lenz Harrison, Sheila Morgan, Kaywin Feldman and Jim Lutz, Al and Kathy Lenzmeier, Barbara H. Steiner, and thirty-six additional donorsexpand_more 2011.20
Not on Viewexpand_more
Titian was not only Venice's most famous Renaissance painter, but also an extraordinary graphic artist who played a key role in the development of the Venetian woodcut. He designed several monumental, multi-block prints, of which the Submersion of Pharaoh's Army in the Red Sea is the largest. Because oversized prints were more commonly displayed on walls rather than preseved in albums, very few have survived.
The subject of Titian's composition is an episode from the Book of Exodus when Moses parted the Red Sea to lead the Israelites out of Egypt. Titian depicted the moment just after the Israelites safely crossed the seabed. Moses raises his staff to close the divided waters, and Pharaoh's army is lost to the tumultuous waves.
Titian probably drew the dramatic scene directly on the woodblocks. The vigorous and rapidly drawn lines that form the figures and waves of the drowning army are particularly expressive. In a creative interplay between pen and knife, the white spaces cut away by a skilled Venetian woodcarver produce an intricate structure of irregular shapes that make the dark, deadly waters sparkle with flecks of light.
As the water of the Red Sea delivered the Israelites from their enemies, so did the water of the lagoon protect the city of Venice. The victorious allegory represented in the Submersion would have resonated with Venetians at a time when feuding cities often battled for control of territory and trade routes.
Details
- Title
- The Submersion of the Pharaoh’s Army in the Red Sea
- Artist Life
- (Venice), 1488/90–1576
- Role
- Designer
- Accession Number
- 2011.20
- Provenance
- Erik Fischer, Copenhagen (b.1920); [Christopher Mendez, London, until 1991]; ['Acanthus Art, London, 1992]; John Hewitt, London (until d. 1994); his partner, Angela Heskett, London (1994- 2009; sale, Christie's, London, December 5, 2000, no. 124, unsold; 'exhibited with Paul McCarron, Works on Paper fair, New York, 2002; sold to Boerner); [C.G. Boerner, New York, 2009-2011; sold to MIA]
- Catalogue Raisonne
- Rosand/Muraro 8b, Passavant, vol. 6, p. 223, no. 4; Mauroner 27; Dreyer 4;
- Curator Approved
This record is from historic documentation and may not have been reviewed by a curator, so may be inaccurate or incomplete. Our records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
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