abstract image woven in rust and pinks, dark at bottom and transitioning to lighter shades at top; pink loops and dash-like marks at center; tan heading band on back

%C2%A91987 Helena Hernmarck

Theta, 1987

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In Theta, Helena Hernmarck paid tribute to an old Scandinavian textile tradition yet created something totally new through her artistic experimentation. The abstract dots and squiggles in this tapestry emerged spontaneously in a preparatory design, which Hernmarck painted herself, making automatic gestures with her arm. Her methods were inspired by 1950s and 1960s artists like Jackson Pollock, who saw painting as a physical process, intimately connected to the body. She extended this idea to the weaving process as well: Hernmarck employed a centuries-old Scandinavian technique called “rosepath,” which she learned while studying preindustrial textile art in Stockholm, Sweden, in the early 1960s. The rosepath technique produces textiles with regular geometric patterns. But Hernmarck improvised by manipulating threads manually, freeing the design from a predictable woven grid. The coexistence of tradition and innovation has been a persistent theme in Hernmarck’s work.

Details
Title
Theta
Artist Life
American (born Sweden), born 1941
Role
Artist
Accession Number
2008.57.4
Curator Approved

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abstract image woven in rust and pinks, dark at bottom and transitioning to lighter shades at top; pink loops and dash-like marks at center; tan heading band on back

©1987 Helena Hernmarck