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large dish form; white glaze with large thistle in blue; blue ring around bottom edge

%C2%A9 Masaya Imanishi

Indomitable Spirit "Thistle", 2017

Imanishi Masaya

Not on View
outward-flaring cylinder shape with some outwardly flaring lobes; matte white exterior with black scrolls and scrolls made of impressed circles; very pale blue interior

%C2%A9 Masaya Imanishi

Tidal Bore, 2014

Imanishi Masaya

Not on View
large dish form; white glaze with abstracted tree in blue made of round spiraling forms; blue stripes around bottom edge

%C2%A9 Masaya Imanishi

Gigantic Tree "Tree of Life", 1998

Imanishi Masaya

Not on View
triangular shape mass with white open lattice type surface on one side and vertical standing plates on other side; blue and white paddle form down one side with yellow and green mass at top

%C2%A9 Inoue Masayuki

Sculpture, 2013

Inoue Masayuki

Not on View
tree in LLQ with black, spindly branches that extend upward; two smaller branches in LRQ; scattered star-shaped red blossoms in background; black edging at top and in lower right edge of image

%C2%A9 Masayuki Miyata

Blossoms, 1977

Miyata Masayuki

Not on View
thick black tree branches that move upwards at an angle beginning in LLQ; thin green 'branches' throughout against a white background

%C2%A9 Masayuki Miyata

Pine, 1977

Miyata Masayuki

Not on View
Tsuba Sword guard in form of Buddhist demon (Oni), seated

Demon sitting on his toes, 18th-19th century

Nara Masayoshi

Not on View

Perspective Print: Act 4 of The Syllabary Book of the Forty-seven Ro_nin, c. 1791-1794

Kitao Masayoshi; Publisher: Tsuruya Kiemon

Not on View

Farmer carrying wood on his back, late 19th century

Masayuki

Not on View
frowning bearded man wearing elaborate costume and flame-like hairstyle holding a sword in his proper right hand and the ankle of a small horned demon figure in his proper left hand

Shōki, the Demon Queller, and a Demon, mid 19th century

Kaigyokusai Masatsugu

G219

man with long beard pushing a small demon to the ground and holding him under a large hat

Shōki, the Demon Queller, Catching a Demon, second half 19th century

Sawaki Masakazu

G219

Bamboo Tree in Snow, 1795

Kitao Masayoshi

Not on View
colorful landscape scene with rooftops in bottom center and in LRQ; cherry tree in center between two houses; trees and greenery surround houses, with shadowed, tree-lined hills in background; Japanese characters written in pencil in LLC; red seal in LRC of image

%C2%A9 Ido Masao

Ohara no sato, 1992

Ido Masao

Not on View
round green insect/ beetle with yellow and black intersecting lines that form a diamond shape in center; two light green circles at bottom right and bottom left body of insect; series of black dots forming lines in bottom right and left of wings; double ended curving arrow in bottom center of body; three legs on either side of body

%C2%A9 Oba Masao

Ladybug B, mid 20th century

Ōba Masao

Not on View
double-pointed arrow shape in red pigment in center against a diamond shape with a circular shape in center, with thin lines protruding from center of circle, in blue pigment; pattern of lines and dots in orange pigment on diamond shape; marbleized background in blue and green pigment

%C2%A9 Oba Masao

Recurrence, c. 1970-1990

Ōba Masao

Not on View
yellow lemon in LRQ; green 'L' shape along top edge of image and moves down left edge of image

%C2%A9 Oba Masao

Lemon, mid 20th century

Ōba Masao

Not on View
one man standing behind another; back man is holding the front man's neck; 2 holes on back oil thief

Two men standing behind each other, late 19th century

Masano (of Ise)

Not on View
mask with frog-like features and brass eyes

Netsuke of mask, 1830s

Masachika

Not on View
seated animal with tail between legs; front right leg resting on a turtle; front left leg raised; mouth open; ribs showing; yellow eyes

Wolf with turtle, early 19th century

Masatomo

Not on View
three chestnuts with one flower

Three chestnuts, late 19th century

Masano (of Ise)

Not on View
tiger with front legs up onrocks; shoulders sticking up; head down, teeth out; hole beneath front legs; other #'s J148

Tiger and rocks, late 19th century

Masano (of Ise)

Not on View
man sitting in front of a jar with his hands to his head

Seated man, late 19th century

Masano (of Ise)

Not on View

Right:Tsuki??, New Year, first half 18th century

Okumura Masanobu; Publisher: Okumura Masanobu

Not on View
two separate sheets; two men fighting with swords; man at left wears purple, blue, white and grey striped pants and purple, white and yellow hand and arm guards; man at right wears green, yellow, purple and grey striped pants and purple and white hand and arm guards; purple at top, green at bottom, white at center

Shitada Harumasa and Hayami Masanao, April 1873

Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

Not on View

%C2%A9 %C5%8Cta Masamitsu

No. 7, Actor Nakamura Utaemon V as Masaoka, 1951-1952

Ōta Masamitsu; Carver: Itō Susumu; Printer: Kitajima Hidematsu

Not on View

Portrait of Masaniello, 17th century

Stefano della Bella

Not on View

Kumagai Naozane and Taira no Atsumori, 1710s-1720s

Attributed to Okumura Masanobu

Not on View
unsigned album page

"Heart-to-Heart" from the Tale of Genji, c. 1710

Okumura Masanobu

Not on View
two courtesans - primitive, Horiz. Oban Foxed

Mitate of Matsukaze and Murasame, c. 1704-1706

Okumura Masanobu

Not on View

Shōki, the Demon Queller, c. 1745

Okumura Masanobu

Not on View
thick body; roughly cylindrical shape; slightly asymmetrical; flat base with rounded outward-flaring area just above base; two thick handles below bulging ring below vertical, slightly wavy mouth; brown patina with grey spots and mottled golden areas

%C2%A9 Masamune Satoru

Vase (hanaire), early 21st century

Masamune Satoru

Not on View
wide-mouthed, slightly irregular conical cup; salmon pink inside with earth tones, and rust tones outside

Sake cup (guinomi), early 21st century

Nagaoka Masami

Not on View
irregularly shaped cup with deep impressions from forming; gray in color with light green, gray, and dark gray glazes

Sake cup (guinomi), early 21st century

Nagaoka Masami

Not on View
dome-like ceramic box with sculpted, irregular edges; mauve and white glaze

Incense box (kōgō), early 21st century

Kaneta Masanao

Not on View
oblong, shallow sake cup; dark charcoal color around top fading to red towards bottom; lightly colored vertical incised lines inside and outside

Sake cup (guinomi), early 21st century

Ichino Masahiko

Not on View
thick-walled, irregularly shaped sake cup with lumpy, squared edges; white and mauve glaze

Sake cup (guinomi), late 20th - early 21st century

Kaneta Masanao

Not on View
triangular form resting on three feet; sculpted, curving end forming two feet; opposite end upturned; salmon-pink, knobby glaze with gradient stripes on large portion of top

%C2%A9 Yamamoto Masahiro

Sculpture, 20th century

Yamamoto Masahiro

Not on View
sake server; flat base; asymmetrical, sculptural form with angles and planes; conical spout with uneven mouth rim; creamy white and pale purple

Flask (tokkuri), 20th century

Kaneta Masanao

Not on View
low, bulbous bowl with shallow interior; rim is higher on two sides; rust and red/orange in color

%C2%A9 Ichino Masahiko

Tanba red-clay flower vase, 2011

Ichino Masahiko

Not on View
dark grey-black tree trunks in snow, with several branches with needles; received framed

%C2%A9 Aoyama Masaharu

Black Pine, 20th century

Aoyama Masaharu

Not on View
landscape image in mostly brown pigments; crater with green water in LRQ; rising brown mountains in ULQ; brown sky

%C2%A9 Maeda Masao

Crater Lake at Mount Zaō H, 1958

Maeda Masao

Not on View
abstraction; black ground; brown circular form make of short parallel lines; circles; two elongated human forms at center left

%C2%A9 Yoshida Masaji

New Star No. 2, 1957

Yoshida Masaji

Not on View
grey with green curving forms in lower corners; black form with parallel lines at top; red wedge and seal, LRC

%C2%A9 Yoshida Masaji

Moss No. 2, 1958

Yoshida Masaji

Not on View
abstraction; green at center; blue with white spots at bottom; red form at center; some black with parallel lines around edges

%C2%A9 Yoshida Masaji

Mystery No. 1, 1961

Yoshida Masaji

Not on View
abstraction; green and blue curving forms; black forms with short parallel lines at top and bottom

%C2%A9 Yoshida Masaji

Moss No. 4, 1958

Yoshida Masaji

Not on View
green ground with green and grey curving forms; small turquoise curving wedge, LRC; black forms with parallel lines at top and LRC

%C2%A9 Yoshida Masaji

Moss No. 1, 1958

Yoshida Masaji

Not on View
abstract image of green pasture with river or stream running through top half

%C2%A9 Yoshida Masaji

Moss No. 3, 1958

Yoshida Masaji

Not on View
calendar page; pasted on image of red flower with green leaves on blue-grey background

%C2%A9 Maeda Masao

March 1967 calendar page with image of red flower, c. 1967

Maeda Masao

Not on View
composition of black slightly curved wedge shapes against neutral background; four red square shapes punctuate at UR, LC, and LRC; box at L had white circle in it

%C2%A9 Murai Masanari

[black wedges and red squares], 1965

Murai Masanari

Not on View
abstraction; grey mottled round; black wedge, ULQ; red vertical linear form below wedge

%C2%A9 Yoshida Masaji

Evening Gloom of Japan No. 3, 1958

Yoshida Masaji

Not on View
abstraction; large grey form; mottled grey area at bottom; green rounded form, LLC; red spot, LRC; black at top

%C2%A9 Yoshida Masaji

Transcendence No. 1, 1959

Yoshida Masaji

Not on View
black ground; white painterly form; blue and red small forms

%C2%A9 Nakayama Francois %28Masami%29

Angels Live in the Infinite, 1950s-1960s

Nakayama François (Masami)

Not on View
calendar page; pasted on image of tan creature with black spots, carrying stack of gold books; gold ground

%C2%A9 Maeda Masao

May 1967 calendar page with image of red flower, c. 1967

Maeda Masao

Not on View
abstract image in primarily navy blue and black; navy background with hash mark over print in darker color; dark rectangle block top R, with two dark shapes center L; red rectangle bottom edge

%C2%A9 Yoshida Masaji

Space No. 37, 1963

Yoshida Masaji

Not on View
calendar page; pasted on image of a view of a basket from above (?) with grey ground and blue character in each corner of image

%C2%A9 Maeda Masao

January 1970 calendar page with image of rubbing pad (baren), c. 1970

Maeda Masao

Not on View
abstraction; grey three-sided form at center; green rounded form, LLC; black form with parallel lines at top; grey mottled ground

%C2%A9 Yoshida Masaji

Transcendence No. 2, 1959

Yoshida Masaji

Not on View
black and white drawing of a cicada perched on vertical column at L; black background with two blue forms lower C

%C2%A9 Nakayama Francois %28Masami%29

In the Wood, 1950s-1960s

Nakayama François (Masami)

Not on View
bound book with blue cover; text interspersed with images including: a couple close to one another inside; a man walking past woman with fan open on verandah; man and woman sitting on verandah, woman handing man an object

Red and White Tale of Genji, vol. 4: Festival of the Cherry Blossoms, 1709

Okumura Masanobu

Not on View
bound book with blue cover; text with a few images including a woman playing a lute with man looking on; man and woman sneaking past a screen with bamboo and attendant; and men carrying a palanquin

Red and White Tale of Genji, vol. 3b: Autumn Excursion, 1709

Okumura Masanobu

Not on View
delicate drum-shaped form with hollow cylindrical center; thin bamboo strips woven at diagonal create spiral pattern; interior of bamboo pieces painted gold on one half

%C2%A9 Ueno Masao

Rotation of Ellipse Makes Two Transparent Drums, 2004

Ueno Masao

Not on View
cylindrical vase with natural ash glaze primarily on the front and lip; inner surface curls in slightly at the top; groove-like depression along edge of mouth; clay has feldspar pieces in it; gray color in lower front from the flame

%C2%A9 Shibaoka Masashi

Cylindrical vase, late 1970s

Shibaoka Masashi

Not on View
bound book with blue cover; text interspersed with images: men entering castle or temple; man bowing in front of figure on steps; and man on verandah watching woman behind shade with fan

Red and White Tale of Genji, vol. 3a: Autumn Excursion, 1709

Okumura Masanobu

Not on View
bound book with blue cover; pages inside contain text alternating with images of courtiers visiting, bathing, lounging, and playing instruments

Red and White Tale of Genji (Kō haku Genji monogatari), vol. 3b: Autumn Excursion (Momiji no ga), 1709

Okumura Masanobu

Not on View
cylindrical shape with slight facets forming rounded hexagonal body; horizontal facets at center; red, black and grey glaze with gridded black and red triangles on exterior, subtle red triangles at interior and grey triangles at top rim and bottom around foot ring

%C2%A9 Maeda Masahiro

Untitled, 2009

Maeda Masahiro

Not on View
grey and white kitten in ULQ; loops of grey yarn, LRC; grey ground

Kitten and Knitting Wool, 1950s-60s

Aoyama Masaharu

Not on View
hand with index finger pointing up in LRQ; various flowers against a black ground--salmon, white, blue, purple, with stemlike lines; yellow wedge form at top, URQ

“-- but fadeless in Heaven”, 1968

Nakayama François (Masami)

Not on View
abstract image; mottled red and grey ground; painterly black triangle in LLQ with blue and red at center; embossed painterly white doughnut shape at top

“a small happiness”, 1967

Nakayama François (Masami)

Not on View
vessel that has brown/silver decoration on exterior with abstract shapes in darker color; vessel in wider at the shoulder and tapers toward the bottom; interior is vibrant teal in color; lid is round with simialr shapes, no handle

Covered vessel, 2007

Maeda Masahiro

Not on View

Wakashu in the Guise of Komusō, 1730s

Okumura Masanobu

Not on View
page from an illustrated book

"Wakoku", 1701

Okumura Masanobu

Not on View

%C2%A9 Masami Teraoka

New Views of Mount Fuji: La Brea Tar Pits and Zen Garden, 1975

Masami Teraoka

Not on View

Pleasure Quarter Party as Mitate of Seven Gods of Good Luck, c. 1735

Okumura Masanobu

Not on View

%C2%A9 Masami Teraoka

31 Flavors Invading Japan: Today’s Special, 1981

Masami Teraoka

Not on View

Prostitutes Imitating the Four Sleepers, 1720s

Okumura Masanobu

Not on View

Prostitute and Two Attendants, c. 1735

Okumura Masanobu

Not on View
Female figure wearing colorful robes with a design of bamboo blinds and cherry blossoms, holding a cat toy in her left hand and playing with a white adult cat and tiger-like kitten. The cats sit on a box that bears the name of a sweets store in Asakusa.

Standing Prostitute Playing with Cat and Kitten, c. 1715

Okumura Masanobu

Not on View
Water imp (kappa) and toad on leaf, hand-wrestling

Kappa and toad hand-wrestling on a leaf, second half 19th century

Suzuki Masanao

Not on View

Geisha On Her Way to a Night-time Assignation, c. 1784

Kitao Masanobu

Not on View
unsigned

First Month, 1740

Okumura Masanobu

Not on View
rat curled into a ball holding his tail; black eyes; other j#81

Curled rat, second half 19th century

Suzuki Masanao

Not on View
double page from a book

Ben no naishi, first half 18th century

attributed to Okumura Masanobu

Not on View

Right:Poem Washing, mid 18th century

Okumura Masanobu

Not on View

(Prostitute and Shopboy), 1780s

Kitao Masanobu

Not on View

(Lovers as Mitate of Daruma Crossing the Yangtse River on a Reed), early 18th century

Okumura Masanobu

Not on View
unsigned

Three Sake Tasters, c. 1710

Okumura Masanobu

Not on View
three separate sheets; battle scene with four men holding up large rectangular wooden shields; men wear multicolored armor and helmets; man at center walks across fallen soldier wearing blue pants and green leggings and shoes; castle with rounded domes in silhouette in URC, with flying silhouettes of soldier's bodies and flags; red flag with white design at center top; reddish brown smoke/explosions throughout, including a reddish brown burst hitting shield of man at left

Picture of Masakiyo at Shinshū Castle During the Conquest of Korea, 1863, 10th lunar month

Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

G238

Forest of Suijin Shrine and Masaki on the Sumida River, 1856, 8th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Parrot Komachi of the Floating World, c. 1711 - 1716

Okumura Masanobu; Publisher: Kikuya

Not on View
abstract image; light green field; light blue swirl at top; black at top edge; darker green curved shape, LLC; olive green and red shapes in LLQ

%C2%A9 Yoshida Masaji

Moss No. 3, 1958

Yoshida Masaji (self-published)

Not on View

Masako from Mino Province, c. 1804

Kitagawa Utamaro; Publisher: Murataya Jirōbei

Not on View
one sheet; man on a white horse with another man falling in foreground, with feet in the air; man on horse wears multicolored armor and red, black and patterned garments; falling figures wears green, white, black and red armor, and blue and white pants

Sagami Jirō Taira Masakado, December 1883

Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Muneoka Nobukichi

Not on View
three separate sheets; battle scene on a large mostly black boat; figures falling into the sea; man wearing blue and white loincloth climbing into boat at center; man in upper left standing on edge of boat next to a decapitated figure wearing a red shirt, with blood spurting up from his neck, and his severed head over PL shoulder of man with sword; clouds of black and grey smoke; ocean waves

Picture of Masakiyo Conqering Korea, 1864, 3rd lunar month

Tsukioka Yoshitoshi; Publisher: Yamaguchiya Tōbei

Not on View
ruins of wall with rocky mesa behind

%C2%A9 Stuart D. Klipper

Walls at Masada, Israel, 1985

Stuart D. Klipper

Not on View
double page from an illustrated book

Kusunoki Masashige and Wrestlers, 1816

Katsushika Hokusai

Not on View
vertical ōban triptych

Both Japan and Qing Forces Pursuing Asan, Picture of the Great Fierce Battle of Seonghwan, September 1894

Tomita Akika; Publisher: Sekiguchi Masajirō

Not on View
vertical ōban triptych; triptych forming a single image; battle scene; large view of a soldier in a black uniform, holding a waving flag in right and center sheets; soldier rests foot on a fallen figure, with a purple and green flag on ground beneath figure; storming soldiers on left, intercepting with other figures in colorful uniforms, partially obscured by plumes of white smoke; gray stone wall on right image

Colonel Satō, Dashing Forward in a Campaign during the Fierce Battle at Niuzhuang Fortress Using the Regimental Banner as a Cane, June 1895

Ogata Gekkō; Publisher: Sekiguchi Masajirō

Not on View
vertical ōban triptych

Captain Higuchi, April 1895

Mizuno Toshikata; Publisher: Sekiguchi Masajirō

Not on View
one sheet; grimacing figure with red skin and beard, wearing green patterned kimono, partially reclining on floor on his stomach, with his chin behind held by a heavy-set bald man standing over him; heavy set man has pink and white skin with white circles and wears a crane patterned kimono with purple ground; brown demon with white hair and pink blouse at right; gesturing man in red kimono, URQ; pair of gruesome heads--red face frowning and white face smiling--in ULQ; books and scrolls with text, LRQ

Asahina Saburō Yoshihide, 1872-1873

Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

Not on View
seven panel print affixed together, with tear/separation between center panel and third panel from right; woman seated on giant grey spider at center, with huge spider web in background extending through all panels; six outer panels have one male figure on each panel, armed with swords, sticks and bows and arrows; red cartouches with text on each panel; some mica highlights in backgrounds; vivid purples, blues and reds with greys and black in background, fading to green at bottom

Visual Parody of the Tale of Shiranui, first half 1870s

Utagawa Yoshitaki; Publisher: Wataya Masasuke

Not on View
one sheet; two falling figures, upside down, fighting; front/topmost figure wears light blue, red and purple garment on his upper body and light blue and patterned grey garments on his legs, with bare legs in URQ; topmost figure holds neck and arm of lower figure in his hands; lower/rearmost figure wears black garment on upper body, lined with floral patterning, and red garment on arms and legs with netlike patterning; lower figure holds upper figure's hair in one hand; white birds flying around figures; water at bottom, with figure in a small rowboat

Inuzuka Shino and Inukai Genpachi, April 1873

Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

Not on View

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