Self-Portrait, Paris, 1931

expand_more
Not on Viewexpand_more

Born in Frankfurt,Germany in 1899, Ilse Bing taught herself photography while preparing for her PhD. dissertation. By 1929 she became so enamored of photography, she abandoned academic studies to pursue photography full time.

In 1930 she moved to Paris where it is asserted that she was the only photographer to work exclusively with a 35 mm camera (a Leica). Not only was she one of the first to use the Leica and to pursue night photography, but she was involved in the early development of solarization as well.

During the 1930s she worked for Harper's Bazaar and the fashion house of Schiaparelli. She also received commissions to photograph in Holland. Her work was included in several of the first modern photography exhibitions held at the Galerie de la Pléiade (1930-33, 1938) and at the Louvre (1936) where fellow artists included such luminaries as Henri Cartier-Bresson, André Kertész, Man Ray, and Brassaï. Her work was shown also at the International Salons in Paris, as well as several major exhibitions in the United States.

After being interned in France at the beginning of World War II, she and her husband, pianist and musicologist Konrad Wolff, were permitted to enter the United States. She continued to work as a photographer until 1959. At that time she abandoned photography to paint, write poetry and create photo collages.

This image is a remarkably original self-portrait in which Ms. Bing photographed a mirrored image of herself with one bent arm leaning against a table. Her Leica is positioned on a tripod in front of one eye while there is a side view of herself reflected in another mirror.

This is the first work by Ilse Bing to be acquired by The Minneapolis Institute of Arts.

Caroline Wanstall
Department of Photographs.

Details
Title
Self-Portrait, Paris
Artist Life
American (born Germany), 1899–1998
Role
Photographer
Accession Number
2003.72
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

Does something look wrong with this image? Let us know

No Image Available