Polo III, 1933

expand_more
Not on Viewexpand_more

From the late 1940s until the 1960s, Cameron Booth worked as an abstract expressionist, creating colorful nonrepresentational paintings. He began and ended his career, however, with scenes of rural life based on his experiences living in Minnesota. Many of those works show his lifelong appreciation for the power and beauty of horses. In 1933, Booth made a series of drypoints on the sport of polo, including this dynamic horse and rider in mid-match, pursuing the ball as a synchronized unit.

Details
Title
Polo III
Artist Life
1892 - 1980
Role
Artist
Accession Number
P.88.69
Provenance
Dr. and Mrs. John E. Larkin, Jr., Dellwood, Minn.; given to MIA, 1988.
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

Does something look wrong with this image? Let us know

Zoom in on the left to the detail you'd like to save. Click 'Save detail' and wait until the image updates. Right click the image to 'save image as' or copy link, or click the image to open in a new tab.

No Image Available