%C2%A9 The Pollock-Krasner Foundation %2F Artists Rights Society %28ARS%29%2C New York
Untitled (7), c. 1944-45 (printed 1967)
Engraving and drypoint with plate tone printed in brown-blackexpand_more
The Christina N. and Swan J. Turnblad Memorial Fundexpand_more P.78.31.7
Not on Viewexpand_more
Jackson Pollock's semi-abstract engraving is one of a series of intaglio prints he produced in 1944-45 at Atelier 17 in New York. Pollock was one of a group of young American artists for whom Hayter's studio in exile became an important meeting place for the exchange of new ideas and technical innovations. There they also met émigré European artists, including such luminaries as Joan Miró, Marc Chagall, Salvador Dali, and André Masson.
Though not editioned at the time, Pollock's intaglio prints of the mid-1940s are often cited as precursors to the fully resolved abstract style seen in his famous "drip" paintings. Pollock was fascinated with automatic drawing as practiced by Hayter, Masson and others. This spontaneous technique was well known among Dada artists of the early 20th century and later adopted by the surrealists as a way to reveal subconscious impulses. Unleashing his inner self, Pollock produced a frenzied arrangement of surrealist-inspired biomorphic forms interspersed with dynamic non-descriptive line.
Details
- Title
- Untitled (7)
- Artist Life
- 1912-1956
- Role
- Artist
- Accession Number
- P.78.31.7
- Provenance
- (Glen Hanson Gallery, Minneapolis); sold to MIA, 1978.
- Catalogue Raisonne
- O'Connor and Thaw 1075
- Curator Approved
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© The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York