Crucifixion with a Crowd of Supplicants, c. 1425-1464
Attributed to Bertolino de' Grossiexpand_more
Brown and red ink, gouache, and gilding, and leadpoint ruling on vellumexpand_more
The William Hood Dunwoody Fundexpand_more 40.14.2
Not on Viewexpand_more
As stated in the heading, this hymn was sung during the service of vespers (about 4:30 p.m.) held on Sundays in Advent, the period of spiritual preparation observed during the four weeks preceding Christmas. The music accompanying the text is written in the Gregorian system then in general use for liturgical choral music, using box-like notations on a four-line staff.
The first word of the hymn, "conditor," (maker or creator) begins with an historiated initial: an enlarged letter containing a narrative scene. This letter C shows the Crucifixion of Christ, flanked by angels, on the hill of Golgotha (or Calvary), symbolically identified by the skull. The border of acanthus scrolls and gold balls, with cusped quadrefoils at the corners, is a characteristic type of border decoration found in manuscripts produced in northern Italy in the late 14th century. At this time Padua and Milan were thriving centers for the production of illuminated manuscripts under the patronage of Giangaleazzo Visconti, who reigned as Duke of Milan from 1385 to 1402.
Details
- Title
- Crucifixion with a Crowd of Supplicants
- Artist Life
- Italian (Parma), active 1425 - 1464
- Role
- Artist
- Accession Number
- 40.14.2
- Provenance
- Sale, Ulrico Hoepli, Milan, May 304, 1928, no 82, as Umbria, 15th century, for 3,000 lire. [Paul Gottschalk, Berlin, by 1930-1940m as Umbria, c. 1400; sold to MIA]
- Curator Approved
This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
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