The Descent from the Cross (second plate), 1633
Etching and engravingexpand_more
The William M. Ladd Collection Gift of Herschel V. Jones, 1916expand_more P.1,263
Not on Viewexpand_more
Following the example of Peter Paul Rubens, who worked with a stable of printmakers to win fame and riches, Rembrandt collaborated with Leiden etcher Johannes van Vliet, who reproduced Rembrandt's paintings in prints. This large, ambitious composition was based on a painting Rembrandt made for Frederick Hendrik, the Prince of Orange, who, as stadholder was the highest-ranking elected official in the country. It directly challenged Rubens by showing the removal of Christ from the cross as a dismal, physical event rather than a glorious baroque cascade. Even in such a serious production, Rembrandt's idiosyncratic humor comes through, for he assigned himself a cameo role, clutching Christ's arm and glaring outward.
Van Vliet executed much of the etching; Rembrandt possibly added some finishing touches.
Details
- Title
- The Descent from the Cross (second plate)
- Artist Life
- c. 1600/10–1668
- Role
- Artist
- Accession Number
- P.1,263
- Catalogue Raisonne
- H.103 ii/v; B.81; Mz.198 ii/v; Holl. 81 (II) ii/v; B-B 33-C ii/v
- Curator Approved
This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
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