large, densely painted landscape of bare trees, a scholar's retreat in a valley with piled-up layers of pointy mountain peaks

Autumn Landscape, 19th century

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Okada Hanko was the son of the rice merchant and wildly eccentric painter Beisanjin. Hanko's own painting style, however, reflects the much more conservative approach prevalent among nanga artists active in Kyoto at the end of the nineteenth century. Greater exposure to actual Chinese paintings imported from the mainland helped these Japanese artists perfect the subtleties of their brush techniques and compositional arrangements. Hanko_'s inscription on this painting, in fact, reveals that it is a copy of a work by Dong Xiaochu, a little known artist of China's Ming dynasty.

Details
Title
Autumn Landscape
Artist Life
1782 - 1846
Role
Artist
Accession Number
98.18.20
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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large, densely painted landscape of bare trees, a scholar's retreat in a valley with piled-up layers of pointy mountain peaks