Thermos pitcher, 1935

Not on Viewexpand_more

An air of understatment is evident in most Dreyfuss designs. His goals were less self-promotional than those of his colleagues, Walter Dorwin Teague and Norman Bel Geddes, preferring the word "cleanlining" to "streamlining." He distanced himself from what he considered to be the excesses of the '30s restyling movement. This set of pitchers is typical of his approach to industrial design: synthetic materials, clean lines and an absence of personal expression. Yet, not total anonymity. Both pitchers are signed in full on the bottom.

Details
Title
Thermos pitcher
Artist Life
1904 - 1972
Role
Designer
Accession Number
98.276.225.2a,b
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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