three black men in front of an adobe-like wall at night; two men in front push on each other with their forearms, while shirtless man in back partially crouches and looks beneath other men's arms; man at right wears a cowboy hat; both men in foreground wear denim jackets, rolled-up jeans and boots

%C2%A9 Sory Sanl%C3%A9

Les Cow-Boys de la Brousse, 1971 (printed 2017)

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Gelatin silver printexpand_more

The Anne and Hadlai Hull Fundexpand_more  2018.27.5

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Sory Sanlé began his photographic career in 1960, two years after his country, formerly known as French Upper Volta, gained its semi-independent status from France and became the Republic of Upper Volta. With the ability to photograph the cultural shift in his country, Sanlé opened a studio (called VOLTA PHOTO) in Bobo-Dioulasso, the country’s capital city. He soon became the most sought-after photographer in the republic, which later became Burkina Faso in 1984. His portraits of youth groups, sales people, singers, and the occasional Elvis impersonator convey the excitement and restlessness of the youth culture in his newly independent country. Sanlé also travelled around Burkina Faso, throwing dance parties in the cities he visited and photographing subjects outside of his studio. On his life’s work, Sanlé simply states “the more you like something, the more you invest yourself in your passion.”

Details
Title
Les Cow-Boys de la Brousse
Artist Life
born 1943
Role
Photographer
Accession Number
2018.27.5
Curator Approved

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three black men in front of an adobe-like wall at night; two men in front push on each other with their forearms, while shirtless man in back partially crouches and looks beneath other men's arms; man at right wears a cowboy hat; both men in foreground wear denim jackets, rolled-up jeans and boots

© Sory Sanlé

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