large white building ruins at C; rubble, city in ruins; classical building at L; men and women in foreground in shadows; sheep walking in foreground along path

Vuё des ruines des fauxbourgs de la Ville de Dresde, 1761-1763

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In the middle of the 1700’s, Bernardo Bellotto was the official court painter for Saxony’s royal family in Dresden. He was famous for his big, detailed views of the city. Unfortunately, his work met severe disruption with the outbreak of the Seven-Years War in 1756. His royal patron soon left town, and in 1758, Bellotto did too. Three years later, he returned and saw the devastation brought by an enemy bombardment in 1760. Much of the city was destroyed, including his house. Here he memorialized the damage by showing the ruins of the suburban district of Pirna, a few miles southeast of central Dresden.

The melancholy view of the ruins is unusual for the simple reason that patrons usually choose to celebrate triumphs rather than mourn losses. Bellotto’s gritty style was ideal for the task of depicting shattered buildings and forlorn inhabitants. His slightly hurried strokes and jabbing dashes lend a sense of immediacy—and perhaps pain or anger—to the image.

Details
Title
Vuё des ruines des fauxbourgs de la Ville de Dresde
Artist Life
(Venice), 1722–1780
Role
Artist
Accession Number
2018.37
Provenance
Samuel Josefowitz (1922-2015, Pully, Switzerland); Christie's, New York, January 25, 2017, lot 220; (C. G. Boerner and Harris Schrank, New York)
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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large white building ruins at C; rubble, city in ruins; classical building at L; men and women in foreground in shadows; sheep walking in foreground along path