Haunt of the Jay, c. 1930-1932
William Gilesexpand_more
Color woodcut and relief print from zinc platesexpand_more
Gift of Marla J. Kinneyexpand_more 2017.126.3
Not on Viewexpand_more
Once, before making a print of swans, William Giles spent six weeks concealed in a covered punt (a narrow, flat-bottomed boat) so he could observe swans on London’s Thames River. It’s not known whether he spent a similar amount of time hiding in a tree to observe the habits of jays before making Haunt of the Jay. The orange breast makes it the Eurasian jay (Garrulus glandarius), a species in Britain also distinctive for its blue-and-black wings.
Giles often printed from woodblocks in combination with zinc plates, “carving” relief designs on the metal with acid. He found that the zinc plates delivered purer color, and surely used them to print this exquisite creature coasting high above a riverbank. (Did he intentionally make the background drab to set off the bird') Despite the menacing look, the Eurasian jay is reputedly shy and is probably looking for acorns—it’s been known to find and bury as many as 11,000 per winter.
Details
- Title
- Haunt of the Jay
- Artist Life
- 1872–1939
- Role
- Artist
- Accession Number
- 2017.126.3
- Provenance
- Private collection, Scotland, by descent, c. 1955/65–2015, sold to Chapman; (Hilary Chapman, Richmond, Surrey, England (2015-2017); sold to Kinney); Marla J. Kinney, Minneapolis
- Curator Approved
This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
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