Black leather office chair at right; reddish plant in white pot, LLQ; bare-breasted woman holding a grey cloth that covers her hands, with a black form beneath her, seen through a window at center

%C2%A9 2013 Yee I-Lann

Wherein one's legacy comes full circle and posits that you too can exploit and subjugate and fluff yourself up in a splended game of your own jolly adventure, 2013 (printed 2015)

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Yee I-Lann is recognized for her experimental technique of splicing together visual references, from history to pop culture, to examine the complex history of imperialism, particularly in her native Southeast Asia. Her portfolio "Picturing Power" explores how photography was used to lay claim to land and culture through imagery. She places particular emphasis on the Dutch colonial legacy in Malaysia, with images sourced from archives and the artist’s own photographs. The works, with long allegorical titles, suggest a present deeply influenced by a colonial legacy.

Details
Title
Wherein one's legacy comes full circle and posits that you too can exploit and subjugate and fluff yourself up in a splended game of your own jolly adventure
Artist Life
born 1971
Role
Artist
Accession Number
2015.87.8
Curator Approved

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Black leather office chair at right; reddish plant in white pot, LLQ; bare-breasted woman holding a grey cloth that covers her hands, with a black form beneath her, seen through a window at center

© 2013 Yee I-Lann

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