organic, pod-like shape with vertical ribs overall, with one pointed end and one lobed end; ovoid vertical opening near pointed end with scrolling applied stems and leaves below and around opening; incised text on body; small rectangular hole on side of body opposite ovoid opening; tan with orange undertones

Hanging flower vase (hana ike), ca. 1870

Stonewareexpand_more

Gift of Gordon Brodfuehrerexpand_more  2014.109.1

Not on Viewexpand_more

Ōtagaki Rengetsu’s distinctive calligraphy is a subtle and elegant yet integral part of this hanging flower vase. While her professional career floundered for many years, it was only in her late forties and early fifties when this nun-turned-poet literally made her mark on ceramics of everyday objects that she became famous. Her poetry and calligraphic style has been emulated and forged and it is said Rengetsu had even signed forgeries as her own works in order to help other potters’ studios succeed. The poem on the vase reads: My happy times stretch out like a long cucumber; how many have there been' Rengetsu

Details
Title
Hanging flower vase (hana ike)
Artist Life
1791 - 1875
Role
Artist
Accession Number
2014.109.1
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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organic, pod-like shape with vertical ribs overall, with one pointed end and one lobed end; ovoid vertical opening near pointed end with scrolling applied stems and leaves below and around opening; incised text on body; small rectangular hole on side of body opposite ovoid opening; tan with orange undertones