the infant Christ is depicted being circumcised in an architectural interior, with figures gathered around him and on the steps in foreground

The Circumcision of Christ, 1588-1589

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Drawings by the Italian painter Pasquale Cati are extremely rare, and about half of his surviving studies (four sheets, including this one) pertain to one project: the decoration of the Altemps Chapel in Santa Maria in Trastevere, in Rome. The design’s irregular shape corresponds to its placement in an elaborately stuccoed ceiling vault that has twenty-one frescoes depicting the lives of the Virgin and Christ.

Cati most likely executed a modello for each painting in the chapel—standard practice for 16th-century artists working in the unforgiving medium of fresco. This explains the high degree of finish in the study, with every detail seemingly worked out at this stage. The ostensible subject is Christ’s circumcision. However, the large, elaborately posed foreground figures dominate the scene. Such reversals of emphasis are in part why Roman fresco decoration of the time is described as being Mannerist.

Details
Title
The Circumcision of Christ
Artist Life
1537-1612
Role
Artist
Accession Number
2009.29.2
Provenance
[Brian Sewell, London, 1967; sold to McCrindle]
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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the infant Christ is depicted being circumcised in an architectural interior, with figures gathered around him and on the steps in foreground