cat. 10; man holding limp woman; rearing horse behind them; black chalk highlighted with white chalk on grey-green paper; grey mat; massive antique-looking gold frame with red undertones

Rhadamistus Lowering Zenobia into the Araxes River, 1856

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The tale of Zenobia involves incest, intrigue, murder, and sacrifice. Zenobia was the daughter of Mithridates, the king of Armenia, and his wife, who was Mithridates’ niece and the daughter of the king of Iberia. Zenobia’s husband, Rhadamistus, also a son of the Iberian king, was thus the brother or half-brother of her mother. What could go wrong'

In the year 51 CE, Rhadamistus smothered Mithridates to death and usurped his throne. He made Zenobia his queen and ruled Armenia from 51 to 55 CE, though his tenuous grasp on power led to his ouster by the neighboring Parthians. Rhadamistus and the pregnant Zenobia were driven out of Armenia, toward Iberia.

The journey proved too arduous for Zenobia. Preferring an honorable death to the shame of capture, she begged Rhadamistus to kill her. Admiring her heroism, he stabbed her with his scimitar, then laid her in the current of the Araxe River. Rhadamistus fled home to Iberia. Barely alive, Zenobia was discovered by shepherds, who delivered her to the safety of the Parthian king. Meanwhile, Rhadamistus’s father had his son executed as a traitor.

Details
Title
Rhadamistus Lowering Zenobia into the Araxes River
Artist Life
Saint-Omer 1825–Paris 1901
Role
Artist
Accession Number
2008.56
Provenance
Sale, Vente Chifflart, Paris, Me H. Bricou, expert A. Abram, December 27–28, 1901, no. 74, with the title "Abandonnée." [Galerie de Bayser, Paris (1985)]; [Shepherd Gallery, New York (1986)]; to Yvonne and Gabriel Weisberg, Minneapolis (until 2008; given to Mia)
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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cat. 10; man holding limp woman; rearing horse behind them; black chalk highlighted with white chalk on grey-green paper; grey mat; massive antique-looking gold frame with red undertones